понедельник, 28 января 2019 г.

Amor ... s!


I want to start with the sad.

To my great regret, there are so few people around who know this movie! For some reason, he never managed to become popular in his time, and now, probably, the requests are not the same ...

But the film is great!

Brilliant cast, stunning, eternal humor, beautiful and unusual history, vivid characters, of which there are in abundance:

- Mysterious and frightening, but also ORZuyuschy Giuseppe Cagliostro;

- An irreparable romantic and absolute idiot Alyoshenka Fedyashin;

-Horse-hearted Maria Maria Ivanovna;

- Genius in her wisdom, interspersed with senile marasmus, aunt Fedosya Ivanovna;

- Unforgettable, brilliant, sparkling doctor;

- A talented couple of artistic and loving boobies - tramplers Jacob and Margadon;

-Simple Fimka and her half-drunk uncle Stepan;

- Always furious and offended by Jusi Lorenz ...

Heroes are just supernaturally good. Both the main and the secondhand ones are all good! Each has its own trademark douchebag, but each has its own purpose in some way, its own benefit. All of this takes, it would seem, the Soviet comedy that was passed through, based on the not very popular novel by Alexei Tolstoy, and then beyond all distance from the original text, to the level of a real rogue novel, flavored with dynamism unusual for those years cinema.

Bravo!

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Romeo and the Blind


A new student Katya (Tatiana Aksyuta) comes to the class where Romka (Nikita Mikhailovsky) is studying, who has moved to their area with her mother (Irina Miroshnichenko), her young husband (Evgeny Gerasimov) and little brother. Mutual sympathy arises between a guy and a girl, an invisible, but clearly felt attraction, in which you can easily recognize the wonderful feeling of the first, even a little childish, but already such strong love. Obvious and indestructible love is only for the two of them, while others for the time being either do not notice, or do not want to believe in the sincerity of the young feeling. Romka's parents (Albert Filozov and Lydia Fedoseyev-Shukshin) with the rudeness of adult egoism, pretending to be virtuous and caring for a child, in every way prevent him from seeing Katya and even refer him to the help of a “dying” grandmother in a fantastically realistic performance of the honored old woman of the USSR Tatyana Peltzer In separation, Katya is supported by a young teacher (Elena Solovey). She understands and regrets the lovers, not least because of the fact that not everything is calm in her personal life ...

A beautiful, wonderful film about real first love, literally imbued with tenderness and warmth. So touching were able to make films about human feelings in the Soviet Union, that every time I watch our modern Russian cinema, I always wonder: “Why can't we do the same now?”. What are the current filmmakers missing, why don't you want to watch a single modern film a hundred times? The question is open, but now is not about that.

The film by Ilya Frez, based on Galina Shcherbakova’s novel Roman and Yulka, is a cinema from the category of your favorite film classics, one of many Soviet films that you can start watching from any scene and failing to tear your attention away from what is happening on the screen.

The leading actors, Nikita Mikhailovsky and Tatiana Aksyuta, despite the significant difference in age, with the same skill and sincerity managed to convey to the viewer the fragility and power of love, its endless light and childless helplessness, its resilience and all-consuming trust. Romka and Katka are so young, real, touching, they want to help, they want to protect them, hide them from the evil around them, sympathize with them and empathize.

The film immerses the viewer in an extraordinary atmosphere of flight in zero gravity, which is no less conducive to the light, ringing music of Alexei Rybnikov, which envelops the heart and enchants the soul.

“You never dreamed of” is one of the best love stories told by the cinema language.

10 out of 10


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Not only comedy



Before writing this review, I carefully read reviews from other viewers. And he was amazed at one fact - almost everyone perceives this film exclusively as a comedy, without noticing without exaggeration the ominous role of Margarita in the brilliant performance of Inna Ulyanova.

This is no longer a comedy, this is a tragedy where animal, zoological egoism is shown under the guise of altruism and care. Get your own at any cost, break a man on the knee, pry him with meat from the environment where he wants to stay - isn't it familiar to many of us?

Margarita subjugates everything to her will - and her energy is such that not only weak-willed writers, but also former front-line soldiers are taken prisoner.

And have you really not noticed the phrase of the old man, uttered twice: “Oh, and you were a good engraver!” Did you understand what it means? Next to Margarita, people begin to disappear and lose themselves. And the same Savva Ignatich disappears as a professional, he can only sharpen knives at home. Next to Margarita, everything becomes just appendages, only a means of its well-being ...

Oh, no, it's not just a comedy. Too often, triumphant egoism lives under the mask of virtue. This is what they show in close-up in the film - but most reviewers are touched by the atmosphere of the “50s”, which, in fact, is not a matter of principle within the framework of the director's task.

“Become your own biographer!” - you didn’t pay attention to this phrase either? The figure of Kostik is a figure, not afraid of this word, Angel, who comes to help in a difficult moment when a person is ready to lose himself. After all, Kostik is satisfied with the escape of the main character. And yes - just the hapless writer I call the main character of the film. He is weak, but stubbornly, floundering in the quagmire, trying to get ashore to go on. It is he who can do it in the end ...

The film “Pokrovskie Vorota” is a film about the need to save yourself as a person, personality, and personality. Have you ever paid attention, how does Savva Ignatich change by the end of the film? How are his shoulders lowered, his head pushes, barely hear a voice? But this was a prominent man, a hero!

Remember the movie - to whom we do not sympathize while watching? Who does not cause us to accept? Who we do not want to empathize?

And remembering this, try to see the other characters and their roles.

Perhaps only after that you will see the most important task of the film behind the facade of an ordinary household comedy.

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пятница, 25 января 2019 г.

Drunken sea knee



If I were asked to compile a list of favorite actors, I would have given Jackie Chan the first place without hesitation. You can say I, like many of my peers, grew up on his films, which were often shown on the central channels in the 90s. Ah, it was a good time ... However, more to the point.

One fine evening, I decided to pass the time while watching a movie with a favorite actor. After some reflection, the choice fell on "Drunken Master", since I could not remember ever having watched it. Of course, there were certain doubts. Has the picture lost its relevance? Will be able to keep the screen? Looking ahead, I note that all the fears were in vain.

The main character of the tape is Wong Fei-Hun - a young man, very gifted in terms of martial arts, but very hot-tempered and defiant. Not a day goes by, so that Fay-Hun doesn't get into another story. As a result, the father, rather tired of the negligent offspring, sends him to a martial arts master and a connoisseur of good Sow. Of course, at first, the young man is not enthusiastic about such a prospect - all the more so since the trainings turned out to be unusually tough - and one day he simply escapes. However, it so happened that during the flight, Wong ran into the enemy, who turned out to be too tough for him, and regularly shovels from him in full. As a result, the beaten and humiliated hero has nothing left but to return to the mentor and resume training. For it is only through grueling workouts that one can comprehend the path of the Eight Drunk Gods, who in the future will help get even with the offender ...

With such a rather simple plot, it is interesting to watch the movie, it does not let you go until the very end. In many ways, this is the merit of Jackie Chan himself, who played Wong Fei-Hun, and Yuan Xiaotian, who played the role of a wise, though drunk, mentor. It was these two people, both individually and interacting with each other, that generated a significant part of the funny situations that took place in the Drunken Master. The undoubted advantages of the picture include the local battles, which, despite the funny sound effects and Jackie Chan grimaces, are very professional. Of the positive moments, I also note the music, which, although rare and unpretentious, but at the same time harmonizes with the action taking place on the screen.

In conclusion, I can say that I enjoyed watching this film, and therefore I recommend it to both fans of Jackie and fans of good comedy action films.

8.5 out of 10


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Plasma blasters are coming! Shake the ghosts!


From about the end of the 70s of the last century to the mid-80s several people represented the glorious comedy, namely, Bill Murray, Dan Aykroyd, Rick Moranis and John Candy. They were not only actors, but also successful producers, some tried their hand at directing and screenwriting. And it is they who can express our amicable gratitude for this pleasant film from all sides, which still looks with interest, despite the fact that its visual effects now seem commonplace after computer technologies have gone a long way, but it is in its nostalgic component the whole principle of revision of the Ghostbusters, who gave many happy minutes and not only the children's audience, fascinated looking at the battle with hordes of ghosts, but also adults, because "Ghostbusters" is, Ust and pure entertainment, but entertainment is fascinating!

As you can read from the facts of the history of the creation of “Ghostbusters”, this film could come out much later, and could even be out of work on the set at all, but still the then 38-year-old director Ivan Reitman was in the Kremlin chief director and took his best picture in 1984. In general, “Ghostbusters” look like a blatant gamble: adult men rush around the city with blasters and trap pretty gnawing ghosts. Well, who would have believed in the seriousness of the Ramis-Aykroyd-Moranis trio that they decided not to mock the viewer with children's fantasy, but to show not without a sense of humor and good (for those times) visual effects? With such a scenario, many would have been ridiculed, but our trio is not that, and having worked with comedian Bill Murray, they made everyone understand that Ghostbusters is not at all a paranormal satire, a very entertaining movie that has become a classic.

It must be said that for the mined success with the public, every effort was made in acting. Bill Murray, Dan Aykroyd and Harold Ramis (it is a pity that this talented man left us not so long ago, who gave us good tapes and as a director) represent the original Ghostbusters team. All of them are doctors of science, but they decided to fight what no one at the professional level did not fight - with all kinds of ghosts there. Each of the actors created a certain character with their own individual traits and at the same time they looked like a real harmonious team, that they transfered their friendship in life to the screen, and even so cleverly played their roles, that on their basis a animated series appeared, and childhood, I watched it with ecstasy and admiration. A bit later the hero Ernie Hudson will join the “Hunters”. He also will not miss the multipliers, giving him an important to become in the series, although here in the picture, he will more be a minor character. But this can also be attributed to the fact that they could not overlook the non-static Rick Moranis, this amusing little stunted comedian, and even Sigourney Weaver herself agreed to play with this honest company, and everyone knew her as a killer of alien creatures.

Though the film began as a comedy, but then, going into the mainstream of this kind of fiction mixed with mysticism, you do not notice this transition, so everything is smoothly created in Ghostbusters. Some personalities change their appearance almost beyond recognition. And all the actors who were affected by this, managed to brilliantly alter their images. Bill Murray can laugh when he even walks with a stony face (remember at least “Groundhog Day”), but suddenly he becomes so serious that it is impossible not to believe that his hero is actually fighting the impending disaster over the city, and our world as a whole. Until now, the energy rays from the Hunters blasters seem to be perfectly traced and processed by possible computer technologies at that time. By the way, what was expected of the viewer is indirectly shown by the hero of Ramis, who believes in the wonders of technology and stably controls the computer. Well, the final large-scale action captivates the spirit, despite the comic image, it still looks very, very impressive. What is this action? You have not seen the classics of fantastic mysticism with elements of the comedy "Ghostbusters"? Be sure to look.

The painting by Ivan Wrightman really evokes strong nostalgic feelings. The team of actors consisting of wonderful comedians, although it caused a certain amount of negative criticism, is nevertheless worthy of great praise, because their composition could be worthy of the nomination “The Best Screen Team”, and the special effects at that time were perfectly performed.

8 out of 10

PS: Special thanks to the composer Elmer Bernstein for the soundtrack, because to his melody I want to shout: “Ghost Busters!” To this day.


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