Cinema on the topic of the day. Incredibly relevant in our technocratic-developing society. Relevant in that it reminds us of what is important, what is the essence, and everything else is secondary. People forget about it so often. And "Cloud Atlas" makes you turn around and look ahead. What awaits us there? And why did people stop worrying about such important questions of being and the very human essence? Why did they get lost somewhere between constant business meetings, countless calculations of finances and incessant pursuit of profit? Spirituality has not yet left this world. And this film is a vivid and vivid reminder of that.
I hate to say platitudes, but Cloud Atlas is an incredibly daring project. He is bold financially, because it is extremely risky to shoot such expensive films without studio support. There is no guarantee that the film will pay off. However, they never happen. But "Cloud Atlas" is an innovation in a different area. In the sphere of thought, reason, idea. Although, in essence, this is not innovation. For us, cave people, who are just crawling out into the light of day and daring to realize that we are a grain of sand in the vast ocean of the Cosmos, this is an innovation, for those who know more than us it is rather an obvious truth. Life, death, birth, future, past, present - everything is interconnected. We are all interconnected. And this is what this tape is all about, from beginning to end.
"Cloud Atlas" is not one of those films that are fully realized and understood in one viewing. This is a thoughtful, multi-level and multidimensional movie that reveals something new over and over again. I am convinced of this, even though I have only seen the film once. After all, this tape is so deep that all its essence cannot be covered at once, you can only do a cursory scan, bring out the main ideas, but most of the side, but no less important ideas will be left out. The film, consisting of six short stories, closely interconnected with each other, is something hitherto unseen in world cinema. Who knows, maybe such a movie is the future. Personally, I would like to hope so.
The narrative, built in an unusual style, shuffles the cards in front of the viewer, gradually building the overall picture, the canvas. Despite the fact that the film was filmed by three directors, the tape does not lose its integrity. It looks complete and complete inside and out. Actually, you can't expect anything else from the creators of "The Matrix" and the director of "Perfumer". But no matter how good and interesting Cloud Atlas is for its structure, any film as art defines its essence. And, perhaps, this is the best, most interesting and complex thing in this tape.
The emphasis is on two themes: love and freedom. Love - in the broadest sense of the meaning of this word. Love as the personification of all the best that is in a person. Love is like faith, love is like hope. Love is stronger than death, no matter how pretentious it sounds. This feeling gives you all-powerful power. It saves and heals, it heals and opens a second wind. It ties all the characters in each story together. And even if in one story this love is sacrificed in the name of freedom, in another it takes on flesh and blood. Not in this life, so in the next you will be rewarded according to your merit. Someone will return to their home after a long journey and hug their wife, and someone received a big wrench on the head. It all depends on the choice we made earlier. Actions, words and thoughts determine everything, the whole course of events, the course of life. Don't forget about it. Everything is interconnected, and we have the right to determine what this connection will be.
Freedom is a sweet word. This film is a hymn to the erasure of boundaries and conventions that have entangled people. The material world is in chains, it is subject to conventions. We voluntarily live in cages and handcuffs and are stubbornly afraid to stick our heads out of the sand. Society sets frames, boundaries, drives them into clear geometric forms, from which one cannot escape. Undoubtedly, without these frameworks there will be chaos, but each person has the right to erase his own boundaries, which he sets for himself, to be above prejudices, to see wider. For example, to understand that black slaves are people too, that it doesn't matter what a person's skin color is, it is only important that this person is. Society is a kingdom of conventions. And this film breaks down all imaginary boundaries. So bold, so bold.
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The picture of the film makes one forget that "Cloud Atlas" is a non-studio project. Such a scale, such a grandeur. Impressive. The scope of this film is felt, from the views of a sailing ship under white sails and beyondending with two options for the world of the future: Neo-Seoul and the world after a nuclear war with tribes of cannibals and the spirit of Old Georgie, who is revered for the devil. Very beautiful, very impressive. In my opinion, not all studio films are able to boast of such filming. Often, having on hand a fertile material, the output turns out to be mediocrity in everything. But this is definitely not about the "Cloud Atlas".
"Cloud Atlas" is a project that you can talk about endlessly, look at it from different points of view, turn like a globe in all directions, looking for new and new ideas, points of contact, creating an increasingly clear and clear picture of what is happening, seeing distinct allusions to the past and present. In my opinion, this is what characterizes any film as high-quality and worth watching. But "Cloud Atlas" is an unusual, non-standard picture and falls out of the usual framework of understanding. She looks wider. And before you go to the session, ask yourself if you are ready for what you see.
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