вторник, 12 февраля 2019 г.

Still one of the best biographical films.



The film begins its story with the death of Mahatma Gandhi in a meeting with people, where he was shot by one of his opponents. After the death scene, the audience is returned to 1983, the year the beginning of the journey of Mahatma Gandhi as a great political and spiritual leader until January 30, 1984, that very day of the murder. The tone of the story in the film accurately, convincingly and fascinatingly tells about this really amazing person. The authors expressive scenes, one of them is very brutal and cruel, lead us along the life path of the "great soul". Mohandas (real name) Gandhi as a character in the film is represented by an ordinary person, who he really was, who sometimes doubts himself, sometimes sadness, sometimes as a child enjoys life, and it is more interesting to watch how he becomes important in life every citizen of India for his resilience, modesty and courage.

Ben Kingsley plays the role of Gandhi, conveying his quiet and calm determination before the danger throughout the film. The performance of the British actor is convincing, without any extra heightened emotionality or pompous theatricality. He is as always very calm and restrained in emotions, but he utters words with the moral strength of his character and behaves very naturally in the frame.

The "spirit" of time, like the "spirit" of Mahatma Gandhi, is reproduced in the film emotionally, with love and inspiration to the plot. The atmosphere of those times in India is transmitted very well. The characters around Gandhi, his friends, comrades and opponents are direct, and some of them are also played by outstanding artists. The relationship between Mahatma Gandhi and his wife is very idealistic, as some viewers point out and say that in real life the Indian leader was not like that. I would not judge the film for it because the most important thing is that the film makes it clear that his wife was true to him and was ready to go with him where he would say. Of course, for some viewers there will be a place for negative criticism. It can be said that “the film does not reveal the essence of the teachings of Gandhi” (and this would not be enough for a ten-hour film) and that the tape is somewhat sketchy as a biopic (for me personally, and like for many, this is not so important, since Kingsley’s really strong performance and a very well-written script with touching dialogues and narration of events without undue elevation leave this flaw in the shadow)

I believe that for many people, Mahatma Gandhi remains a poorly understood historical figure. Everyone has heard that he was a great Indian leader, not knowing the reasons for such fame of this person. Unfortunately, in our schools the history of this person does not go through, which in fact once again shows how large gaps are left in the educational process of children by our state. Our ignorance of Eastern history and culture has led to the fact that we are not familiar with the history of the movement that liberated India, in one of the biggest political and economic victories of all time, achieved through non-violent principles. What is important in this film is not that it serves as a lesson in history (this is one of the merits of the film as well), but also that it reminds us of the strength of the human spirit, the ability of each of us to defend our rights, human rights.

The film over the years, is still one of the best biographical films that everyone should see. By right it is.

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"When the word doesn't strike, the stick will not help either." Socrates



So Tom Hooper was again honored to take a biopic about one of the members of the Windsor royal dynasty, namely Albert Frederick Arthur George, better known among the masses as George VI. This, to a greater extent, television director, at one time, had already managed to distinguish himself (of course only for the better) with successful historical mini-series about such significant personalities as John Adams and Elizabeth I, therefore, we can safely say that biographical films are this is his horse. Still, "The King Says" is kept apart from them and can, to date, be deservedly considered the best film in Tom Hooper's filmography. But it is not necessary to rank the success of the picture only to his merits, because Colin Firth and Geoffrey Rush, it seems to me, have invested much more energy into it.

Anyone who hopes to see the full biography of the king, can not even count on it. The film covers only a certain period of his life - the ascent to the throne, which, oddly enough, turns out to be a real test for him. Here are just the main obstacle that has become on the way to the coronation of George, he himself. Usually, when a film is made about a monarch, the emphasis is primarily on his development, relations with his family, as well as his domestic and foreign policy. The script, which fell into the hands of Hooper, does not sink under the weight of generally accepted standards. I will say even more: it is original. Nobody had the idea to focus on the king’s illness, and not on his personal life. Not many people know that George VI suffered a severe stutter, which could well have deprived him of the crown.

How can a king lead a people, if he cannot connect a few words? Would his intermittent speech be so convincing that people believed her unconditionally? Such a person will never be able to rule his country, because his public speeches would obviously only cause only ridicule, so George simply could not allow his illness to prevail over him. The most difficult thing is to challenge yourself, but the future king of England, realizing that the responsibility for the further prosperity of the state fell on his shoulders, he decided to overcome his flaw in order to become something. At the same time, due to his weak character and quick temper, he cannot do without the help of his wife, who does not allow him to fall into despair and given the opportunity to find a true friend, without which the path to recovery would be impossible.

The main storyline develops rather slowly, since the director does not focus on historical events that took place in Great Britain when the first prerequisites for the start of World War II appeared, but only on the heir to the throne and his healer Lionel Logue. This allows him not only to fully reveal the characters of both, but also to force the viewer to feel the sympathy for the main characters. This effect Tom Hooper naturally achieves with the help of “perfected” to the smallest details of the dialogues, which for almost two hours, though a little tiring, still listen with genuine interest. This is especially true of conversations between Georg and Leonel, where there was a place not only for reasoning about serious things, but also for the inimitable English humor.

Colin Firth’s game made a huge impression on me. This is the brightest role in his career, for which he is simply doomed to get an Oscar. Not every actor has the power to be so organic in his image, so that the viewer does not have a single doubt that they face a real historical person, and not just a person trying to become one. It’s even hard for me to imagine how film distributors are going to duplicate Firth, after all, it’s unlikely that anyone will be able to portray stuttering in such a way. Geoffrey Rush, as always, on top. Who would doubt that? Being funny and, at the same time, serious, he is not the first time. Helena Bonham Carter was not surprised this time. It is difficult to find any flaws in her game, but there’s really nothing to be praised for.

England does not forget its heroes and perpetuates their memory in such biographical, but at the same time artistic films, which are not yet affected by the harmful influence of Hollywood. Who is next up next to Hooper? Surely Prince Charles?

7 out of 10

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I am a vulgar man. But my music, rest assured, is not.



He wrote music that already sounded in his head ... Page by page. As if dictation.

I don’t understand people who treat movies like ordinary entertainment and killing time. Quite a few films have opened my eyes to certain things that I could not understand before, many films showed and explained to me something that I had previously ignored and did not even try to get to the point, well, the biographical drama of director Milos Forman "Amadeus" I fell in love with the work of the legendary Mozart and opened the door to his life: to his fears and joys. I adore high-quality and competent biographical pictures, set out in the lives of great people. With such films you feel closer to such legendary personalities. 1984 was the year of the film "Amadeus". The picture has collected eight gold statuettes, including Oscar for "Best Film", "Best Actor", "Best Director".

You know, here are a lot of movies that shine only on one side, that is, at first you like everything, everything is great and interesting, but when you get to know the tape better, you realize that not everything is as smooth as it seemed at first. Amadeus is a picture that sparkles from all sides. The film is so strong, so emotional and fascinating that I had to admire it a couple more days after watching it. The leading actor Tom Hulse very closely introduced me to such a famous composer as Mozart, his playing was brilliant. Personally, I never knew that Mozart was a child in the body of an adult, well, of course it is in a figurative sense, but the truth is still here. An interesting plot, beautiful and touching music, made the film unforgettable. Brilliant movie about a man of genius.

Mozart did not disappoint me in the least, because all creative people with their personal “greetings”, that is, to the fact that he was such a bum, a jester, a libertine and a young idiot, these things didn’t bother me a bit, I always looked at him like the legend of classical music. Of course, this is a masterpiece of world cinema, I cannot name it somehow differently. Miloš Forman fully enlightened us with the life of the great Mozart, and I will say that Mozart’s life was full of everything; and joy was present here, and there was also a place for grief, without a drop of madness, too, it was not enough, sometimes the love of both music and family dominated. In general, Mozart will remain in my memory as the earthly God of music, because all the brilliant creations that he gave to the world, they all lived in his head since birth.

10 out of 10

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понедельник, 28 января 2019 г.

Amor ... s!


I want to start with the sad.

To my great regret, there are so few people around who know this movie! For some reason, he never managed to become popular in his time, and now, probably, the requests are not the same ...

But the film is great!

Brilliant cast, stunning, eternal humor, beautiful and unusual history, vivid characters, of which there are in abundance:

- Mysterious and frightening, but also ORZuyuschy Giuseppe Cagliostro;

- An irreparable romantic and absolute idiot Alyoshenka Fedyashin;

-Horse-hearted Maria Maria Ivanovna;

- Genius in her wisdom, interspersed with senile marasmus, aunt Fedosya Ivanovna;

- Unforgettable, brilliant, sparkling doctor;

- A talented couple of artistic and loving boobies - tramplers Jacob and Margadon;

-Simple Fimka and her half-drunk uncle Stepan;

- Always furious and offended by Jusi Lorenz ...

Heroes are just supernaturally good. Both the main and the secondhand ones are all good! Each has its own trademark douchebag, but each has its own purpose in some way, its own benefit. All of this takes, it would seem, the Soviet comedy that was passed through, based on the not very popular novel by Alexei Tolstoy, and then beyond all distance from the original text, to the level of a real rogue novel, flavored with dynamism unusual for those years cinema.

Bravo!

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Romeo and the Blind


A new student Katya (Tatiana Aksyuta) comes to the class where Romka (Nikita Mikhailovsky) is studying, who has moved to their area with her mother (Irina Miroshnichenko), her young husband (Evgeny Gerasimov) and little brother. Mutual sympathy arises between a guy and a girl, an invisible, but clearly felt attraction, in which you can easily recognize the wonderful feeling of the first, even a little childish, but already such strong love. Obvious and indestructible love is only for the two of them, while others for the time being either do not notice, or do not want to believe in the sincerity of the young feeling. Romka's parents (Albert Filozov and Lydia Fedoseyev-Shukshin) with the rudeness of adult egoism, pretending to be virtuous and caring for a child, in every way prevent him from seeing Katya and even refer him to the help of a “dying” grandmother in a fantastically realistic performance of the honored old woman of the USSR Tatyana Peltzer In separation, Katya is supported by a young teacher (Elena Solovey). She understands and regrets the lovers, not least because of the fact that not everything is calm in her personal life ...

A beautiful, wonderful film about real first love, literally imbued with tenderness and warmth. So touching were able to make films about human feelings in the Soviet Union, that every time I watch our modern Russian cinema, I always wonder: “Why can't we do the same now?”. What are the current filmmakers missing, why don't you want to watch a single modern film a hundred times? The question is open, but now is not about that.

The film by Ilya Frez, based on Galina Shcherbakova’s novel Roman and Yulka, is a cinema from the category of your favorite film classics, one of many Soviet films that you can start watching from any scene and failing to tear your attention away from what is happening on the screen.

The leading actors, Nikita Mikhailovsky and Tatiana Aksyuta, despite the significant difference in age, with the same skill and sincerity managed to convey to the viewer the fragility and power of love, its endless light and childless helplessness, its resilience and all-consuming trust. Romka and Katka are so young, real, touching, they want to help, they want to protect them, hide them from the evil around them, sympathize with them and empathize.

The film immerses the viewer in an extraordinary atmosphere of flight in zero gravity, which is no less conducive to the light, ringing music of Alexei Rybnikov, which envelops the heart and enchants the soul.

“You never dreamed of” is one of the best love stories told by the cinema language.

10 out of 10


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Not only comedy



Before writing this review, I carefully read reviews from other viewers. And he was amazed at one fact - almost everyone perceives this film exclusively as a comedy, without noticing without exaggeration the ominous role of Margarita in the brilliant performance of Inna Ulyanova.

This is no longer a comedy, this is a tragedy where animal, zoological egoism is shown under the guise of altruism and care. Get your own at any cost, break a man on the knee, pry him with meat from the environment where he wants to stay - isn't it familiar to many of us?

Margarita subjugates everything to her will - and her energy is such that not only weak-willed writers, but also former front-line soldiers are taken prisoner.

And have you really not noticed the phrase of the old man, uttered twice: “Oh, and you were a good engraver!” Did you understand what it means? Next to Margarita, people begin to disappear and lose themselves. And the same Savva Ignatich disappears as a professional, he can only sharpen knives at home. Next to Margarita, everything becomes just appendages, only a means of its well-being ...

Oh, no, it's not just a comedy. Too often, triumphant egoism lives under the mask of virtue. This is what they show in close-up in the film - but most reviewers are touched by the atmosphere of the “50s”, which, in fact, is not a matter of principle within the framework of the director's task.

“Become your own biographer!” - you didn’t pay attention to this phrase either? The figure of Kostik is a figure, not afraid of this word, Angel, who comes to help in a difficult moment when a person is ready to lose himself. After all, Kostik is satisfied with the escape of the main character. And yes - just the hapless writer I call the main character of the film. He is weak, but stubbornly, floundering in the quagmire, trying to get ashore to go on. It is he who can do it in the end ...

The film “Pokrovskie Vorota” is a film about the need to save yourself as a person, personality, and personality. Have you ever paid attention, how does Savva Ignatich change by the end of the film? How are his shoulders lowered, his head pushes, barely hear a voice? But this was a prominent man, a hero!

Remember the movie - to whom we do not sympathize while watching? Who does not cause us to accept? Who we do not want to empathize?

And remembering this, try to see the other characters and their roles.

Perhaps only after that you will see the most important task of the film behind the facade of an ordinary household comedy.

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пятница, 25 января 2019 г.

Drunken sea knee



If I were asked to compile a list of favorite actors, I would have given Jackie Chan the first place without hesitation. You can say I, like many of my peers, grew up on his films, which were often shown on the central channels in the 90s. Ah, it was a good time ... However, more to the point.

One fine evening, I decided to pass the time while watching a movie with a favorite actor. After some reflection, the choice fell on "Drunken Master", since I could not remember ever having watched it. Of course, there were certain doubts. Has the picture lost its relevance? Will be able to keep the screen? Looking ahead, I note that all the fears were in vain.

The main character of the tape is Wong Fei-Hun - a young man, very gifted in terms of martial arts, but very hot-tempered and defiant. Not a day goes by, so that Fay-Hun doesn't get into another story. As a result, the father, rather tired of the negligent offspring, sends him to a martial arts master and a connoisseur of good Sow. Of course, at first, the young man is not enthusiastic about such a prospect - all the more so since the trainings turned out to be unusually tough - and one day he simply escapes. However, it so happened that during the flight, Wong ran into the enemy, who turned out to be too tough for him, and regularly shovels from him in full. As a result, the beaten and humiliated hero has nothing left but to return to the mentor and resume training. For it is only through grueling workouts that one can comprehend the path of the Eight Drunk Gods, who in the future will help get even with the offender ...

With such a rather simple plot, it is interesting to watch the movie, it does not let you go until the very end. In many ways, this is the merit of Jackie Chan himself, who played Wong Fei-Hun, and Yuan Xiaotian, who played the role of a wise, though drunk, mentor. It was these two people, both individually and interacting with each other, that generated a significant part of the funny situations that took place in the Drunken Master. The undoubted advantages of the picture include the local battles, which, despite the funny sound effects and Jackie Chan grimaces, are very professional. Of the positive moments, I also note the music, which, although rare and unpretentious, but at the same time harmonizes with the action taking place on the screen.

In conclusion, I can say that I enjoyed watching this film, and therefore I recommend it to both fans of Jackie and fans of good comedy action films.

8.5 out of 10


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