Drops and the ocean. With the sweep of Leo Tolstoy and the presence of Solzhenitsyn.

Foreword. There is an opinion that two types of people (“read” and “did not read” the source book) evaluate differently the products of the cinema, filmed on the basis of lithography. I will say right away that I have not read the book by David Mitchell 8 years ago - now, by the way, there is such an idea. Next, let's proceed to the review.

6 stories. 6 epochs from the middle of the 19th century to a future battered by a global catastrophe. Many characters with their own destinies and aspirations. Lawyer Ewing, during a sea voyage, rescues an escaped slave and enters into battle with a strange illness. A young composer Robert with an unconventional orientation, ardently giving himself up to creativity and embarking on the path of conflict with the old meter, who appropriated the full authorship of their joint work by the "Cloud Atlas" sextet. The brave journalist Louise embarked on a dangerous investigation. An elderly publisher Timothy, on the run from criminal intrigues, into a high-security nursing home. The clone girl Sunmi, unexpectedly found herself at the forefront of the revolutionary movement in a world where all people are divided into two unequal classes. And, finally, the savage Zahri from the post-apocalyptic "day after tomorrow", who took into his house a woman from a more developed civilization, who came to his land with a mysterious mission. And the main thing that unites all these characters is that they are, in fact, the same people. Reincarnations of the same souls.

It is worth noting that I do not at all share the philosophy proposed in the "Cloud Atlas", but it cannot be said that this concept helped to create an extremely curious, diverse and large-scale film. In the offered menu, as you understand, there is a GREAT variety. We are shown alternately a fantastic action movie, a detective thriller, or a drama with a touch of the notorious Brokeback Mountain. At the same time, our interesting vinaigrette looks quite organic, but, on the other hand, raises certain claims to all local non-standardness. The story is presented in short episodes from different storylines ranging in size from about ten seconds to 5 minutes, which is not particularly easy for perception (even if the “episodes” do not have intricacies, for example, “Anonymous” - but there are 6 of them!). Although I looked quite carefully and made short notes (as far as possible in the dark), I had quite a lot of plot questions, and now it is impossible to say for sure whether I missed this or that remark, or whether unnecessary explanations simply did not fit into the already titanic timing. The approach is, in general, interesting, but not everyone may like it.

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The ideological component of the "Cloud Atlas" is extensive and occupies a dominant place in the picture. Sometimes it may seem that too much is being said aloud. The film can simply be ripped apart into a bunch of philosophical quotes, since they speak on deep topics quite a lot, and they are not afraid to reinforce them with plot events. The main theme of the picture is being itself. Man is defined as "not the master of his life, because his existence is closely intertwined with the past and future, in which the immortal soul lived and will live." In the context of the universe, everything is connected, the film says. For evil comes evil, for good you get the same. He helped a black man to find the longed-for freedom - he received a hundredfold from him. Thus, it turns out that the nature of our existence is associated with our actions that go into eternity. At the same time, it cannot be said that an individual person is insignificant, a grain of sand in the face of Eternity, because, as one of the heroes says: "What is the ocean if not many drops?" Having proclaimed all this interconnectedness and the great power of life itself, "Cloud Atlas" towards the end will reveal another of its secrets: "Any boundaries are conditional." Another most striking theme of the film was the theme of freedom. The heroes will defend their interests and fight for their own rights; they will also remember our late A.I.Solzhenitsyn, who is known and banned for his ideological component even in futuristic neon Korea. What else to say to this? “Freedom is often just a motto. You only really understand it when you lose it. " In "Atlas" you can find many other food for the mind - the picture is rich for her. I have identified the main "motives".

Having dealt with the content, let's move on to the setting. The film has no special problems with entertainment - Atlas looks quite easy, although the brain often has to be strained. You will never get bored: exploring a kaleidoscope of situations and worlds, plus excellent acting does their job in the drama. High-quality special effects and staging brighten up the action moments. The picture, whether it be the entourage of neon skyscrapers or mysterious jungle, looks great. Being a film with an eye for deep content, Atlas can lure even popcorn movie lovers, even if it is, of course, a movie for a different audience. In the picture, humor is not so often, but aptly. For this component - a plus. About music, you can say something like this: successful, atmospheric, beautiful.

The acting component, which has already been praised above, is also interesting because the same peopleBeatable actors go through new and new visual reincarnations, playing such different, but so similar characters. That there is one Hugo Weaving, who acts as a "local agent Smith" Bill Smoke, then in the role of the infernal and mysterious creature Georgie, and even as a mischievous aunt Sister Knox from the nursing home.

The age rating and "adulthood" were treated quite logically. The film was shot adult and serious. Therefore, there is both blood and sex, but, so to speak, "without fanaticism."