The Kid, Charlie Chaplin film, rewievs

четверг, 3 июня 2021 г.

Rebirth of the soul. "But what is any ocean but a multitude of drops?"

It is almost impossible to talk about "Cloud Atlas" with those who have not watched it, and you can talk endlessly with those who have watched it. And the whole point, probably, is that this film is a work that goes beyond the usual ideas about cinema for us. "Cloud Atlas" is one of those rare films that can reach the heart, touch every bare nerve. It's about faith and hope. About the great power of love. That one desire can change the world. This is a beautiful story, and it is about each of us.

I especially respect films based on a certain philosophical concept of being. When a director or screenwriter gives free rein to his imagination on a philosophical theme, you get a small story the size of the universe, in the space of which you hang for a long time after watching. "Cloud Atlas" is a bit of a philosophical concept in itself. There is no such atlas of cloud maps in nature, because the shape of the clouds is what our imagination draws. Cloud Atlas is just a world of dreams, realities. And only the end of the film makes it possible to fully understand what this phrase means. "Cloud Atlas" may be just clouds flying across the sky or a mysterious melody that you know from somewhere, but in any case it is something incredible and amazing.

'Cloud Atlas' turned out to be a film with a very graceful structure, whose viewing is like climbing a steep staircase, where the ascent is not easy and there is an obstacle on each step, but at the highest step you can see an amazing picture that amazes the imagination with its scope and strength. And if we are used to the fact that the main character of a film or book is one person, then in this case we will have to reconsider the stereotypes of perception, because the main characters here will be much more than expected. In fact, six stories represent such a ladder. And each of these stories ends at the moment when you least expect it, then when you have already managed to fall in love with the hero, to be imbued with him, to some extent to get to know him and understand him. And here is a sharp transition, and before you is a completely new hero. There is an aftertaste, innuendo, excitement, intrigue, a desire to find out what will happen next. You start watching one story, and suddenly it is interrupted in order to give rise to the next. And it is precisely this distribution of stories that causes not only dissatisfaction, but a misunderstanding of what is happening on the screen. Of course, the whole point of this three-hour story lies at the end. And then it is unlikely that from the first viewing the viewer will be able to fully discern the whole essence of this narration, imbued with it, find answers to all the questions asked and put together like a mosaic of six storylines and get a picture of incredible power and beauty.

The film provides six separate stories that, at first glance, are completely unrelated, as if you were watching several films at once. The plot of the "Cloud Atlas", rising from step to step, shows us different epochs of human development. The first story is told on behalf of the American lawyer Adam Ewing, whose eyes at the beginning of the film we see the settlement of Australia (mid-19th century). The second story is told through the letters of the young and talented composer Robert Frobisher (30s of the 20th century). The third from journalist Louise Rey, who is investigating the construction of a nuclear power plant (70s of the 20th century). The fourth, most ridiculous and funny story, from an elderly publisher Timothy Cavendish, who his own brother decided to make fun of (today). The fifth story is told to us through an interview with the clone Sunmi - 451 (future). The sixth, the very last, is conducted in the distant future from the goat herder Zakri, when all civilizations that exist in the world have already fallen. Each of these stories is presented in a distinctive style and each has its own presentation.

These six stories are six scraps of different colors, but from the same material. They are sewn together with a strong thread and tightened with an incredibly tight knot of interconnections that almost never come to the surface. They are completely different, completely different from each other, but connected in a mystical, incomprehensible and spiritual way and this connection never appears to the viewer openly, only imperceptible echoes and small details, but it is much deeper than it might seem at first glance. The atmosphere of each era is very vivid and convincing. During these six stories, the viewer has the opportunity to travel from the past to the present, from the present to the future and vice versa.

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The main charm of the plot is how the key moments in the development of the life scenario of different people coincide, how they have an incessant repetition of mental throwing and finding truths. The main concept of the film implies that the soul has no choice: it will live the same thing over and over again, returning in different guises. And no matter how full of suffering and torment her life is, one should perceive ethen for granted and irreversible.

The first line of the film is, first of all, the line of love. It seems that it is imperceptible, but it is thanks to it that the cycle becomes complete and a new rebirth is possible. This can be clearly seen in the story of Sunmi's heroine. If she didn’t love, she would not have created a more changed world, where feelings of friendship and love are higher than prejudices and beliefs. The second line stems from a person's desire to change and adjust the world for himself, which can be discerned to one degree or another in each of the six stories. This is why the cycle repeats over and over again. From tribes that are not familiar with civilization, but already know what slavery is, to the stage where everything will perish and become chaos.

"Cloud Atlas" is a superbly filmed, brilliant work with deep semantic overtones, with an original stratification of times and plots. Amazing movie. If at first it is a little boring and intricate, then then it develops into something more than a movie. "Cloud Atlas" is unique in its structure and purpose, which it carries. This film, in fact, being a genre, plot, stylistic, historical and philosophical-conceptual mosaic, tells about such a myriad of things and draws so many story lines, beyond the bounds presented on the surface, that not every experienced viewer will immediately find the right key and answer to what is happening on the screen. And again, it is not a fact that this necessary key will actually be necessary.

The story of an immortal soul ...

Going to the cinema, I did not expect that after watching the film I would say something like that. But apparently at this stage of my life - this is the best movie that I watched in the cinema. It is completely unrealistic to put together all the thoughts about the film, but it is definitely a magnificent and enchanting sight. I don’t remember anything like that, perhaps after a while my admiration will subside, but I’ll say for sure - what I feel at the moment is worth it.

So what's all the magic? Not otherwise than in history itself. The theme of reincarnation of souls has always interested me and inspired me, gave me some hope that no emptiness would follow afterwards. And for me personally, to see such a film is a great gift. This is a film from the category of those in which you need to carefully follow the action, because in one moment we see a story about a musician, and the next moment there is a story about a girl from the future, and then a story about a journalist. Six stories from different times, such different destinies, but at the same time one and the same soul. Six stories that are incredibly different, but all united by a strong spirit of freedom, and tied together more tightly than meets the eye. And an irresistible desire to tell all about them, they all liked me, just some less, so in the order of my preferences:

Story # 1. Taking a long time to choose, the story of Sunmi-451 made the greatest impression on me. It is even difficult to say that it is bad, there are absolutely no flaws in it. The incredibly frightening inhumanity of the "purebreds" makes one think about the fact that the vices of humanity are progressing more and more over time, and this instills deep disgust. And the obsequious life of "fabricated goods" is a return to what the world got rid of not so long ago - back to slavery, but in its more frightening form. And Sunmi's fearless actions make me admire this character.

Story No. 2. This is an unimaginably beautiful story of composer Robert Frobisher. This is a story about sacrifice and incredible dedication to your work - to music so strong that it is not a pity to give everything you have for it. And, of course, a story of great love, whatever it was, but these were the most real feelings. And the "Cloud Atlas" sextet is really a wonderful melody, and it is saturated not only with the emotions of this story, it is she who personifies the mood of the whole film - the spirit of freedom, passion and incredible tragedy.

Story # 3. "The Pacific Diary of Adam Ewing." This is a story of true friendship and betrayal. An unthinkable friendship for those years, between a man from high society and a black slave, and the imaginary friendship of people of the same position in society. But as it seems, the position in society is not yet an indicator of a person's moral foundations. Sometimes, a person who is at the lower level of society is an infinitely loyal, loyal, honest, frank and selfless, in contrast to an individual who is several steps higher. And this phenomenon is not so rare.

Story No. 4. Story "Ferry near Listen". I have a lot of questions and misunderstandings about this story, but all this pales in comparison with the tragedy of the whole story. This is the world after a nuclear war, this is what humanity has led itself to - from the civilized world it pushed itself back, thousands of years ago. To lose everything because of their own selfishness, greed and anger, to destroy everything that has been built over the centuries. During each scene from this story, I could only think about this. I was not so much interested in the hero himself, in his actions, in the choice of path, as in my annoying thoughts about the world in which he lives.

Story No. 5. Timothy Cavendish's Last Judgment differs from other stories, because previous stories are united by the same soul, and this story is not about her. But despite this, she has a big impact on the lives of several people in the future. It is here that you can see a huge desire for freedom, and regardless of how old you are, freedom is what gives us the strength to live and strive for something.

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Story # 6. Story about journalist Louise Rey. For some reason, it was this story that I liked least of all, and everything seems to be good and interesting in it: both a passionate desire to get to the bottom of the truth, and the girl's bold actions, and belief in her own righteousness. I can't even say for sure what exactly confuses me. But here it is not hooked, and there is nothing to be done, there are disappointments in life. Most likely, the fact is that the plot itself is no longer new, we have seen similar stories more than once in other films, and did not bring anything new to this story.

And just amazing acting! Play several characters, and all with different characters, different looks. In this film, a huge number of endlessly talented actors who embellish the film even more. While the make-up has to be given its due, it is definitely something incredible! Constantly admire myself: "God, is that Halle Berry now?", "It can't be, but I think it's Hugh Grant as an aboriginal!" or "Is it really Hugo Uwing as the villain again ?!" And after the credits to seethat so many I did not recognize or noticed, all this is a mixture of genuine surprise and admiration for makeup and acting.

The entire film is an incredibly beautiful, absolutely enchanting and magical sight. This is not just a beautiful picture, it is a thing with meaning, with deep and perfect. And the whole film sounds this soul-tearing, delightful, magnificent music! There is no doubt that I am in love with this film for the rest of my life.

Drops and the ocean. With the sweep of Leo Tolstoy and the presence of Solzhenitsyn.

Foreword. There is an opinion that two types of people (“read” and “did not read” the source book) evaluate differently the products of the cinema, filmed on the basis of lithography. I will say right away that I have not read the book by David Mitchell 8 years ago - now, by the way, there is such an idea. Next, let's proceed to the review.

6 stories. 6 epochs from the middle of the 19th century to a future battered by a global catastrophe. Many characters with their own destinies and aspirations. Lawyer Ewing, during a sea voyage, rescues an escaped slave and enters into battle with a strange illness. A young composer Robert with an unconventional orientation, ardently giving himself up to creativity and embarking on the path of conflict with the old meter, who appropriated the full authorship of their joint work by the "Cloud Atlas" sextet. The brave journalist Louise embarked on a dangerous investigation. An elderly publisher Timothy, on the run from criminal intrigues, into a high-security nursing home. The clone girl Sunmi, unexpectedly found herself at the forefront of the revolutionary movement in a world where all people are divided into two unequal classes. And, finally, the savage Zahri from the post-apocalyptic "day after tomorrow", who took into his house a woman from a more developed civilization, who came to his land with a mysterious mission. And the main thing that unites all these characters is that they are, in fact, the same people. Reincarnations of the same souls.

It is worth noting that I do not at all share the philosophy proposed in the "Cloud Atlas", but it cannot be said that this concept helped to create an extremely curious, diverse and large-scale film. In the offered menu, as you understand, there is a GREAT variety. We are shown alternately a fantastic action movie, a detective thriller, or a drama with a touch of the notorious Brokeback Mountain. At the same time, our interesting vinaigrette looks quite organic, but, on the other hand, raises certain claims to all local non-standardness. The story is presented in short episodes from different storylines ranging in size from about ten seconds to 5 minutes, which is not particularly easy for perception (even if the “episodes” do not have intricacies, for example, “Anonymous” - but there are 6 of them!). Although I looked quite carefully and made short notes (as far as possible in the dark), I had quite a lot of plot questions, and now it is impossible to say for sure whether I missed this or that remark, or whether unnecessary explanations simply did not fit into the already titanic timing. The approach is, in general, interesting, but not everyone may like it.

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The ideological component of the "Cloud Atlas" is extensive and occupies a dominant place in the picture. Sometimes it may seem that too much is being said aloud. The film can simply be ripped apart into a bunch of philosophical quotes, since they speak on deep topics quite a lot, and they are not afraid to reinforce them with plot events. The main theme of the picture is being itself. Man is defined as "not the master of his life, because his existence is closely intertwined with the past and future, in which the immortal soul lived and will live." In the context of the universe, everything is connected, the film says. For evil comes evil, for good you get the same. He helped a black man to find the longed-for freedom - he received a hundredfold from him. Thus, it turns out that the nature of our existence is associated with our actions that go into eternity. At the same time, it cannot be said that an individual person is insignificant, a grain of sand in the face of Eternity, because, as one of the heroes says: "What is the ocean if not many drops?" Having proclaimed all this interconnectedness and the great power of life itself, "Cloud Atlas" towards the end will reveal another of its secrets: "Any boundaries are conditional." Another most striking theme of the film was the theme of freedom. The heroes will defend their interests and fight for their own rights; they will also remember our late A.I.Solzhenitsyn, who is known and banned for his ideological component even in futuristic neon Korea. What else to say to this? “Freedom is often just a motto. You only really understand it when you lose it. " In "Atlas" you can find many other food for the mind - the picture is rich for her. I have identified the main "motives".

Having dealt with the content, let's move on to the setting. The film has no special problems with entertainment - Atlas looks quite easy, although the brain often has to be strained. You will never get bored: exploring a kaleidoscope of situations and worlds, plus excellent acting does their job in the drama. High-quality special effects and staging brighten up the action moments. The picture, whether it be the entourage of neon skyscrapers or mysterious jungle, looks great. Being a film with an eye for deep content, Atlas can lure even popcorn movie lovers, even if it is, of course, a movie for a different audience. In the picture, humor is not so often, but aptly. For this component - a plus. About music, you can say something like this: successful, atmospheric, beautiful.

The acting component, which has already been praised above, is also interesting because the same peopleBeatable actors go through new and new visual reincarnations, playing such different, but so similar characters. That there is one Hugo Weaving, who acts as a "local agent Smith" Bill Smoke, then in the role of the infernal and mysterious creature Georgie, and even as a mischievous aunt Sister Knox from the nursing home.

The age rating and "adulthood" were treated quite logically. The film was shot adult and serious. Therefore, there is both blood and sex, but, so to speak, "without fanaticism."

Circle of life

I have not seen such an unusual film for a long time. A film that would last almost three hours without losing interest in it. 'Cloud Atlas' is an absolutely unusual movie that makes you fall out of our time and plunge into the vicissitudes of the destinies of several souls walking in circles from century to century.

Six stories, united by a single canvas, which, however, does not become clear at once, appear before us, posing many questions of life.

The story of Adam Ewing.

'What is any ocean but a multitude of drops?'

Nineteenth century. Ship at sea. A young lawyer rescuing a black slave Otua from death. This piece is an adventure drama that shows us the vices and virtues that have accompanied humanity since its existence: betrayal and devotion. If not for this story, I would never have thought about the fact that the murder may not be a one-time process. You can kill, but you can kill. All the baseness of human nature is exposed in the image of a doctor who is flattered by gold.

David Gyasi - his name was unfamiliar to me before, but the image of a powerful dark-skinned slave with a huge heart was a success. Believe it unconditionally.

The story of Robert Frobisher.

"A half-read story is like love abandoned halfway."

30s of the twentieth century. A young composer passionately in love with his friend, the physicist Rufus Sixsmith. In any other form, such a story would not have attracted my attention, but here these relations were presented surprisingly aesthetically and touchingly, making me think about the souls of the heroes, and not about their belonging to a particular gender or social stratum. Before us unfolds a historical drama, where again there is a place of envy and greed.

Ben Whishaw looked very organic as a young rake with a tarnished reputation. You sincerely sympathize with his hero, not paying attention to any conventions.

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This is a story about a creative talent that does not find recognition, because we, people, live in eternal captivity to conventions, always meeting by dress and very rarely seeing off in the mind if we don’t like the dress.

I am not a weapons expert, but for some reason it seems to me that after a shot in the head, no one will be able to hug her. However, the creators of 'Cloud Atlas' have a different opinion on this matter. But a very touching scene came out.

The story of Louise Rey.

“For the sake of journalistic principles, my father was not afraid of either the minefields in the swamps or the general's wrath. If I do otherwise, I will cease to respect myself. '

70s of the twentieth century. A young, principled journalist takes on the investigation of a case that could cost her her life. This part is more like a mixture of action and thriller.

Holly Barry is one of the three actors who literally carried this movie on their shoulders. Her Louise is feminine and unbending, intelligent and extraordinarily energetic. And even though the love thread here is only a hint, the story still deserves all praise, because it poses the eternal question to the viewer: are you ready to risk your future for the future of others? “The boldness of the city takes” - this is about her, about Louise Rey.

The story of Timothy Cavendish.

'Well, now adieh, which literally translated from French means' stand before God.'

Our days. An eccentric old man, mired in debt and greatly annoyed his own brother. This is a slightly strange story, different from the rest, filled with humor and is more of a tragicomedy.

Jim Broadbent was, to put it mildly, not the cutest old man, but his desire to defend his right to freedom of action commands respect. It is a triumph and a laugh at the same time. Strange, but the crazy company of old people, stealing a car, for some reason makes you root for them with all your heart.

Sunmi's story 451.

'Truth is always one. Any distortion of it is a lie. '

The year is 2144. Korea. The world is divided into those who are called purebreds, and manufactured goods - clones created by people to satisfy their needs. This part is perhaps the most powerful of all. In its genre, Sunmi's story is a love dystopia. Here we are shown the world of the future, the world of consumer society, which, however, will soon be destroyed anyway. The story of Sunmi and Hye Joo Chen is the story of the struggle for freedom and equality, the struggle for love and the opportunity to live in a world without convention. This story, although unlike the previous ones, demonstrates love in all its power, is still the most cruel. Not because of the blood, but because of the fear that infiltrates the soul.

Extraordinarily beautiful, original, fantastic, shocking and mesmerizing three-hour movie adventure

"Cloud Atlas" is one of the most anticipated, discussed and controversial film projects of 2012. This is a very specific and I would even say a strange film. In order to be convinced of this, it is enough to look at the extremely unusual situation in the assessments of critics and spectators. Please note that for the most part such experimental projects are perceived by film critics with enthusiasm, while viewers, on the contrary, treat such films coolly and with incomprehension. On the contrary, "Cloud Atlas" did not win warm reviews from professional critics (according to many newspapers and websites, the attitude of critics is characterized as "mixed"), but was enthusiastically received by the audience. Here is such a phenomenon (I must say right away that, unlike most of my fellow critics, I really liked this film).

Let's find out what explains this phenomenon and whether you should watch this film. For this we will analyze some of its specific features.

1. Incredible, multi-tiered and intricate plot. I must say right away that you can write a separate review and even a scientific work about the plot of this film. After all, it is simply impossible to briefly describe everything that happens on the screen in 3 hours of timekeeping. For acquaintance, I will say that the action of the film develops in six time planes: in the 19th century, in the 30s and 70s of the 20th century, today, in the 22nd century, in the distant future and very, very distant post-apocalyptic future. Moreover, the main characters are the same everywhere, but in different guises. That is, we are talking about the rebirth of the soul in different places and eras. Thus, "Olive Atlas" is a kind of tangle that we have to untangle, or, if you prefer, a Rubik's cube, which the viewer has to collect. Of course, as a demanding and attentive viewer, I have a lot of questions for the filmmakers, but I think I can resolve them by reviewing the film itself. It is worth saying that the action taking place on the screen is very captivating and could well result in six independent solid films. If we talk about the genre of this picture, then everything is very diverse. The film covers such genres as fantasy, drama, melodrama, detective, includes thriller elements and even serious comedy inserts. In general, it is really very interesting to watch "Cloud Atlas". It is also worth mentioning the serious semantic and philosophical load. The film touches upon the following aspects: love and its nature, inspiration and its sources, the soul and its eternity, vocation, the meaning of life, as well as topical issues, be it unconventional love or racial prejudices. Thus, "Cloud Atlas" is a very deep and very specific film.

2. Amazing atmosphere and beautiful, even magical image. Just think of the budget of this film - some pitiful (and in terms of the scale of the modern film business it really is) 100 million dollars! This picture looks at least 250 million. And if you consider that a huge percentage of this money went to pay for the work of numerous actors and move around the shooting locations, then the film itself took very little money. And this is an example of how to properly spend this money (the creators of the fourth "Pirates" - learn!). The image is simply crystal clear, all six worlds are carefully crafted, all the details have been taken into account. I would also like to praise the elaboration of the future in the film - the world created in this film can easily compete with the unforgettable Avatar. And how beautiful everything is! The screen image is just magical. Space, stars, flights, pre-sunset sky, sea waves and ships, mountains and incredible fantastic constructions - all this is within the framework of one film. Bravo!

3. Mind-blowing, brilliant acting ensemble. This is something with something! Those who have already decided to go to this film, I highly recommend that you wait for the final credits and see the ratio of actors and characters. And I think you will be amazed, because every actor plays at least three roles in the film, and some even more and their acting is so amazing, and the makeup is so complicated that many of them are almost impossible to recognize. I must say right away that Cloud Atlas will have all the awards in 2012 for an ensemble, collective or cast. This film is unlikely to receive personal awards, since it is too unusual. Special praise deserves the magnificent Tom Hanks and the amazing Halle Berry, for whom "Cloud Atlas" has become one of the most successful projects in recent years. Also praise Jim Broadbent, Hugo Weaving, Ben Whishaw, Hugh Grant and the adorable Susan Sarandon, whose skill at reincarnation is amazing. In addition, this film opens up a new star for us - Bae Dong. In general, the actors are top notch.

4. Incredible special effects, decent music and amazing work of make-up artists. I will not disclose this point, I will only say that I have never seencases of makeup and special effects that can SO change a person's appearance ... I'm just shocked.

I would also like to praise the wonderful directors Lana and Andy (I want to say - brothers) Wachowski and Tom Tykwer for the fact that the three of them managed to make such an interesting ideological film. Very often, when several directors are at the helm of the project, the film turns out to be unequal and heterogeneous, since one can feel the struggle between the directors for the palm in the project. But this is not the case here - the film turned out to be very solid and ideological.

In general, "Cloud Atlas" is a film that, like the "Avatar" I mentioned above, will be discussed for more than one year. Moreover, the points of view of people will be very different: someone will admire, someone will condemn, but there will be no one indifferent to this film. For me personally, to fully comprehend "Cloud Atlas", I will definitely need several additional views, because it is simply impossible to understand everything that happens in these three hours within the framework of this film at once. In addition, I really want to once again enjoy the skill of the actors' reincarnation, since I simply did not recognize so many of them with their seriously changed appearance.

Who do I recommend this movie to? A) To all those who can sit in the cinema for 3 hours, literally until the last second, completely not understanding the essence of what is happening on the screen. B) To all lovers of intricate and multi-layered films, with a serious philosophical "stuffing". C) Perhaps, to every self-respecting film lover, because "Cloud Atlas" is something qualitatively new in the world of the film business, a film that destroys many of the usual standards and stagnant traditions of cinema.

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Cloud atlas review 2021

An elderly man with a picturesque scar tells stories from his past lives, sitting on the beach, by the fire, and surprisingly aptly scolding the forces of nature and the long wait, which very inappropriately accompanied the Moscow premiere of Atlas. Long ago, a young lawyer rescued a fugitive slave. On the eve of the Second World War, a talented musician runs away from his lover, to serve as the secretary of the brilliant composer. In her seventy-third year, the pushy journalist seeks to get to the bottom of the harsh world of nuclear power. At two thousand and twelve, the unlucky publisher catches luck and bad luck by the tail. In the not too distant future, a factory-made girl, a servant from Neo-Seoul, is interrogated by a bald infernal investigator about the desires of the strange. A hundred years later, a boat of the most futuristic kind sails to the savages on the island, and a girl dressed in white tells the unwashed Robinsons about thermonuclear reactions. All stories are interconnected, they are all about love, about sacrifice, about freedom, as well as about the boundaries and consequences of this freedom. That the revolution of the spirit is impossible without self-sacrifice, and evolution is impossible without pain and suffering.

What is time? A river flowing in all directions at once. An element that cannot be curbed or defeated - it rolls in waves, destroying and preserving, destroying and restoring again. Neither the past nor the future exists, there is only the infinite "now". The unity of generations is carried out through art, be it music, cinema or literature. History is material, it is at arm's length - you can reach it through the symphony of a genius, you can touch it through yellowed paper with blurry lines. "Cloud Atlas" is a movie about the cycle of life, love, art and freedom. The latter lives in melodies, looks, beliefs and decisions. Freedom to resist imposed dogmas. The freedom to create and enjoy. The freedom to be yourself and be free from yourself. In everyone there is both great good and great evil, life is an eternal struggle between hell and heaven. A series of deaths and rebirths, the battle of the dead Order with Chaos full of life. "Cloud Atlas" is a movie about choice as the fundamental basis of everything - and the choice is made more than once, it has to be done every second, every time slice.

The story of the friendship between a lawyer and a black sailor is about freedom of choice. When experience dictates who you are and you are ready to fight for yourself. A sketch about a tandem of composers is a parable about the sacrifice that eternal life, life in art, demands. The incident from the life of a journalist also demonstrates a sacrifice, a sacrifice for the truth, demonstrates the importance of the inner core and the unacceptability of retreat. Caricature modernity is a short respite, now everything is funny and not real, now it is just an eternal escape from the poorhouse to the bar. The post-apocalypse of diametrically different savages and "seers", the last children of an agonizing civilization, is a story about freedom from an inner demon, the strength that is required to do the right thing, even if it is incredibly difficult. And the world presented by Neo-Seoul is truly scary, albeit schematic in revolutionary straightforwardness. After all, evil begins exactly where people begin to look at things. And even though Orwellianism through sinister consumption is not too fresh, ramming arrogance in scoring - yes, several outdated truths - has always charmingly distinguished Wachowski's projects. Pretentious, ambitious cinema captivates with a graceful apology for flashbacks and flashforwards. A humorous brilliant solution to the problem of criticism. Skillful self-citation and self-irony, not slipping into self-parody. Diagnosis "pussy" and a portrait of Solzhenitsyn crossed out with the inscription "banned". Hommages to a lot of things are not harsh, not provocative and do not flirt with the public - they show through in details, silhouette at dusk. Each story is linear, but the end result is greater than the sum of the terms. Harmony.

It might be ridiculous to talk about technical excellence, but it would be a crime not to mention it. "Cloud Atlas" looks flawless - not so much even due to non-trivial engineering solutions and beautiful staging, its magic - in the ragged rhythm of editing phrases, in the dynamic bitingness of switching between stories. The film keeps on the hook, leads by the nose, with a supernatural sense of the right moment, giving out exactly what is needed now, what is most interesting in a particular second. Kabatsky scuffle is replaced by virtuoso playing the piano, a kind greasy joke is replaced by a pretentious conversation about life after death, a rare but caustic naturalism gives way to innocent fetishism. The search for God ends at the bottom of the glass, at the top of the mountain, in the inexorably black muzzle of a pistol, inside himself. The evolution of mankind is carried out through the evolution of man. Each of the directors brings something of his own, author's, hard-won and valuable, but at the same time no one pulls the blanket over himself - a rare quality of symbiosis.

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