среда, 13 февраля 2019 г.

And there is no greatness where there is no simplicity, goodness and truth. ©



Quite recently, I started reading Leo Tolstoy’s epic novel War and Peace. I honestly admit that the idea to read ALL the work I started easy convulsions. Yes, and all who were interested in whether they like this masterpiece, stated that it was mortal boredom. But after reading the first part of the first volume, I was surprised to find that I don’t just like “War and Peace”, but I’m just in love with this story and its heroes.

Now about the film.

I liked the book so much that I wanted to get used to this story not only by means of reading, but also by means of a film. Having found several novel adaptations on the Internet (namely: War and Peace, 1956, War and Peace, 2007, War and Peace, 1965), I chose the version of Sergei Bondarchuk. The choice was obvious. And the cast, and the director all attracted me in this film. So did my crazy love for Soviet cinema (which is not the case with modern Russian cinema).

My hopes came true. Acting, war, landscapes, houses, balls, costumes - that's the beauty of what it is! Literally from the very first minute I fell in love with the film too. That's exactly what I imagined. I probably will not accept any other incarnation. We must pay tribute to Sergei Bondarchuk, who managed without any special effects and computer graphics to bring the idea to life, transfer stories and characters from the pages of books to the screens. Camera work, installation - just magical. These transitions, the shooting itself, this even now you will not see. Another great feat of the director is that he was able to fit all four volumes in one film. But honestly, without reading the novel before viewing, I would not understand half of it. And it is also a great pity that the episodes with Anatol Kuragin, Marya Bolkonskaya, Nikolai Rostov were significantly reduced. Because of this, not reading a book will be quite difficult to understand the inner world of these heroes. But this is the law, because the film can not last ten hours in a row.

Heroes - exactly as I represented them. And the considerable discrepancy in age between the actors and their heroes did not bother me at all. Natasha Rostova, enraged me throughout the novel, suddenly caused me a sincere smile solely because of the wonderful Lyudmila Savelyeva. These eyes are beautiful and don't care what is not brown. A separate gift for me: my favorite actor Vyacheslav Tikhonov in the form of my favorite hero Andrei Bolkonsky. It's hard for me to imagine another Andrey. The most controversial embodiment, for many, was Sergei Bondarchuk in the role of Pierre Bezukhov. But not for me, in my opinion, Bondarchuk perfectly conveyed the image of the mismanaged Bezukhov. Anatole Kuragin, one of my favorite heroes and Vasily Lanovoy, is a wonderful find of Bondarchuk. He was perfectly approached by the role of the reveler and tear off Kuragin. Lanovoy - handsome, charismatic, generally handsome man. I can not judge this role objectively. Irina Skobtseva in the image of Helen - beauty. She doesn't even need replicas. When I saw her, I wanted to exclaim “Here it is - Helen!” Oleg Tabakov, Anastasia Vertinskaya, Oleg Efremov, Anatoly Ktorov, Boris Zakhava — wonderful actors, I admire their play.

10 out of 10

Right, this is a brilliant masterpiece, who would not say that. "Oscar" - deserved!

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One day more! ©



A musical that cannot be passed by ... A musical that makes you think ... A musical that shows us France of the 19th century ... Les Miserables

After viewing this picture, I left the room in tears that I could not stop, and with the feeling that I looked something incredible. Emotions raged in me and I decided to write my first review because I need to share these thoughts with someone.

Until today, I have never watched any of the versions of the musical Les Miserables and have not read it, but now I understand how much I lost. This is not just a story about a person, about a revolution, it is something more.

The film is so well produced that, honestly, I seemed to have lived through everything that happened in 19th-century France, and for these sensations, I would like to thank the British film director Tom Hooper. He did an invaluable job, he created this film. I did not notice how flew two and a half hours while watching the movie. When I learned that without the embedded moments the film would have lasted 4 hours and 15 minutes, I thought that I wanted to see everything.

The cast is great. You believe every actor, when viewing, you forget that these people are actors, they all got so used to the image that I could not imagine anyone else in their place. And how they sing, I would never have thought that you can sing like that.

First, it is, of course, the incomparable Hugh Jackman. His Jean Valjean touches the most delicate strings of the soul. A man who survived so much: to spend 19 years in prison, for a stolen piece of bread, but to remain a man; raise another girl like your daughter; fight for your life and for the lives of others. Invaluable is the work that Hugh did to become, namely to become Jean Valjean, and not just to play it. I can only say Bravo! wonderful actor.

Also can not be said about Anne Hathaway. The actress is developing and for good reason she was given an Oscar for this role. Her Fantine conquered me. A mother who, for the sake of her child, will do everything, a girl with whom you sympathize - here she is Fantina. I cried when she sang about her lost dream, when she saw her Cozzet, dying. I do not know how to play it, how? I recognized this actress from a completely new side for me, although we didn’t see her on the screen for long.

Nor can we forget about Russell Crowe, Amanda Seyford, Eddie Redmaine, Aaron Tveit, Samantha Barks, Helen Bonham Carter and many many others, without whom this film would not exist. They created this film, they lived the lives of their heroes, and I lived with them too.

The music in the film is gorgeous, every song, once again, is lived by heroes; each song reveals in itself that which you cannot say with any words. Many songs made such an impression on me that they are simply not forgotten.

Les Miserables is a film that everyone must watch. He will take you into his whirlpool and definitely not let go, even after watching; it will make you think about that time and ours too, because after watching, for example, I walked with a clear feeling of some kind of irregularity around. And, in my opinion, this is a film that is not fully appreciated, although it definitely deserves universal recognition!

10 out of 10

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A film that evokes thoughts



"John F. Kennedy: Shots in Dallas" even today, but more than twenty years after the picture was released, is the most provocative film against political conspiracies, and yet one of the most resonant murders in the last century was taken on the plot essence - assassination of the President of the United States.

I don’t know, but for some reason the Soviet Union, which had been leading the struggle on all fronts with another world leader, did not grasp the glaring facts of the great and barely concealed attempt on John Kennedy, whose threads were drawn from the very top of power. The USSR did not do this in its propaganda, but the Americans themselves successfully coped with it.

The director Oliver Stone, who has hitherto been observed in such projects, who, apparently, did not quite have a gutter system built in his state, set to work on disclosing a halo of mystery. In truth, this film could not be missed, because there is censorship in all countries, even in the most democratic ones, but the tape appeared on the screen and became one of the most important nominees for receiving Oscar awards.

In essence, "John F. Kennedy: Shots in Dallas" is not quite a classic detective, it is rather an investigation film, fully built from dialogues, reasoning, conjectures and attempts to give the viewer to take this or that position in the Kennedy case.

Oliver Stone assembled a powerful team of performers. He gave the main role to Kevin Costner. His truth-seeking lawyer certainly came out as a handsome man, clever and faithful to his principles, grief of failures, pressure did not affect the aspiration of the hero Costner to achieve consideration of a lawsuit against, in his opinion, the people involved in preparing the assassination of the President. Kevin Costner even became some kind of freedom fighter and honesty.

In opposition to the hero Stone set up not one opponent, but the whole system. Although the compilation of all the lies and deception of the system has become the character of Tommy Lee Jones. In addition, he was also presented in a purely subjective way, not the most impartial person, why hate is shared with both the system and the hero of Jones.

It is worth saying that not only Jones is presented in a negative light: the film is full of derogatory characters. And I must say that all the actors coped with their roles in brilliant form. Each had its own real character, which left its mark on the false story of the murder, and the actors played powerfully, but their participation can be perceived in two ways: on the one hand, they are bastards (though not all, but many), but this is only in the film, on the other hand, they agreed to play in the film, which can be called resonant.

Despite the decent duration of the picture, it looks at one go, especially for those who like to observe a painstaking investigation with unexpected developmental turns. Look and think over everything that Oliver Stone wanted to say.

9 out of 10

P.S. The story tends to repeat itself ... Having mocked the people with the lie of Kennedy’s murder, they looked at everyone condescendingly when they announced the final results of the investigation of the terrorist attack of September 11th ...

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вторник, 12 февраля 2019 г.

Still one of the best biographical films.



The film begins its story with the death of Mahatma Gandhi in a meeting with people, where he was shot by one of his opponents. After the death scene, the audience is returned to 1983, the year the beginning of the journey of Mahatma Gandhi as a great political and spiritual leader until January 30, 1984, that very day of the murder. The tone of the story in the film accurately, convincingly and fascinatingly tells about this really amazing person. The authors expressive scenes, one of them is very brutal and cruel, lead us along the life path of the "great soul". Mohandas (real name) Gandhi as a character in the film is represented by an ordinary person, who he really was, who sometimes doubts himself, sometimes sadness, sometimes as a child enjoys life, and it is more interesting to watch how he becomes important in life every citizen of India for his resilience, modesty and courage.

Ben Kingsley plays the role of Gandhi, conveying his quiet and calm determination before the danger throughout the film. The performance of the British actor is convincing, without any extra heightened emotionality or pompous theatricality. He is as always very calm and restrained in emotions, but he utters words with the moral strength of his character and behaves very naturally in the frame.

The "spirit" of time, like the "spirit" of Mahatma Gandhi, is reproduced in the film emotionally, with love and inspiration to the plot. The atmosphere of those times in India is transmitted very well. The characters around Gandhi, his friends, comrades and opponents are direct, and some of them are also played by outstanding artists. The relationship between Mahatma Gandhi and his wife is very idealistic, as some viewers point out and say that in real life the Indian leader was not like that. I would not judge the film for it because the most important thing is that the film makes it clear that his wife was true to him and was ready to go with him where he would say. Of course, for some viewers there will be a place for negative criticism. It can be said that “the film does not reveal the essence of the teachings of Gandhi” (and this would not be enough for a ten-hour film) and that the tape is somewhat sketchy as a biopic (for me personally, and like for many, this is not so important, since Kingsley’s really strong performance and a very well-written script with touching dialogues and narration of events without undue elevation leave this flaw in the shadow)

I believe that for many people, Mahatma Gandhi remains a poorly understood historical figure. Everyone has heard that he was a great Indian leader, not knowing the reasons for such fame of this person. Unfortunately, in our schools the history of this person does not go through, which in fact once again shows how large gaps are left in the educational process of children by our state. Our ignorance of Eastern history and culture has led to the fact that we are not familiar with the history of the movement that liberated India, in one of the biggest political and economic victories of all time, achieved through non-violent principles. What is important in this film is not that it serves as a lesson in history (this is one of the merits of the film as well), but also that it reminds us of the strength of the human spirit, the ability of each of us to defend our rights, human rights.

The film over the years, is still one of the best biographical films that everyone should see. By right it is.

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"When the word doesn't strike, the stick will not help either." Socrates



So Tom Hooper was again honored to take a biopic about one of the members of the Windsor royal dynasty, namely Albert Frederick Arthur George, better known among the masses as George VI. This, to a greater extent, television director, at one time, had already managed to distinguish himself (of course only for the better) with successful historical mini-series about such significant personalities as John Adams and Elizabeth I, therefore, we can safely say that biographical films are this is his horse. Still, "The King Says" is kept apart from them and can, to date, be deservedly considered the best film in Tom Hooper's filmography. But it is not necessary to rank the success of the picture only to his merits, because Colin Firth and Geoffrey Rush, it seems to me, have invested much more energy into it.

Anyone who hopes to see the full biography of the king, can not even count on it. The film covers only a certain period of his life - the ascent to the throne, which, oddly enough, turns out to be a real test for him. Here are just the main obstacle that has become on the way to the coronation of George, he himself. Usually, when a film is made about a monarch, the emphasis is primarily on his development, relations with his family, as well as his domestic and foreign policy. The script, which fell into the hands of Hooper, does not sink under the weight of generally accepted standards. I will say even more: it is original. Nobody had the idea to focus on the king’s illness, and not on his personal life. Not many people know that George VI suffered a severe stutter, which could well have deprived him of the crown.

How can a king lead a people, if he cannot connect a few words? Would his intermittent speech be so convincing that people believed her unconditionally? Such a person will never be able to rule his country, because his public speeches would obviously only cause only ridicule, so George simply could not allow his illness to prevail over him. The most difficult thing is to challenge yourself, but the future king of England, realizing that the responsibility for the further prosperity of the state fell on his shoulders, he decided to overcome his flaw in order to become something. At the same time, due to his weak character and quick temper, he cannot do without the help of his wife, who does not allow him to fall into despair and given the opportunity to find a true friend, without which the path to recovery would be impossible.

The main storyline develops rather slowly, since the director does not focus on historical events that took place in Great Britain when the first prerequisites for the start of World War II appeared, but only on the heir to the throne and his healer Lionel Logue. This allows him not only to fully reveal the characters of both, but also to force the viewer to feel the sympathy for the main characters. This effect Tom Hooper naturally achieves with the help of “perfected” to the smallest details of the dialogues, which for almost two hours, though a little tiring, still listen with genuine interest. This is especially true of conversations between Georg and Leonel, where there was a place not only for reasoning about serious things, but also for the inimitable English humor.

Colin Firth’s game made a huge impression on me. This is the brightest role in his career, for which he is simply doomed to get an Oscar. Not every actor has the power to be so organic in his image, so that the viewer does not have a single doubt that they face a real historical person, and not just a person trying to become one. It’s even hard for me to imagine how film distributors are going to duplicate Firth, after all, it’s unlikely that anyone will be able to portray stuttering in such a way. Geoffrey Rush, as always, on top. Who would doubt that? Being funny and, at the same time, serious, he is not the first time. Helena Bonham Carter was not surprised this time. It is difficult to find any flaws in her game, but there’s really nothing to be praised for.

England does not forget its heroes and perpetuates their memory in such biographical, but at the same time artistic films, which are not yet affected by the harmful influence of Hollywood. Who is next up next to Hooper? Surely Prince Charles?

7 out of 10

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I am a vulgar man. But my music, rest assured, is not.



He wrote music that already sounded in his head ... Page by page. As if dictation.

I don’t understand people who treat movies like ordinary entertainment and killing time. Quite a few films have opened my eyes to certain things that I could not understand before, many films showed and explained to me something that I had previously ignored and did not even try to get to the point, well, the biographical drama of director Milos Forman "Amadeus" I fell in love with the work of the legendary Mozart and opened the door to his life: to his fears and joys. I adore high-quality and competent biographical pictures, set out in the lives of great people. With such films you feel closer to such legendary personalities. 1984 was the year of the film "Amadeus". The picture has collected eight gold statuettes, including Oscar for "Best Film", "Best Actor", "Best Director".

You know, here are a lot of movies that shine only on one side, that is, at first you like everything, everything is great and interesting, but when you get to know the tape better, you realize that not everything is as smooth as it seemed at first. Amadeus is a picture that sparkles from all sides. The film is so strong, so emotional and fascinating that I had to admire it a couple more days after watching it. The leading actor Tom Hulse very closely introduced me to such a famous composer as Mozart, his playing was brilliant. Personally, I never knew that Mozart was a child in the body of an adult, well, of course it is in a figurative sense, but the truth is still here. An interesting plot, beautiful and touching music, made the film unforgettable. Brilliant movie about a man of genius.

Mozart did not disappoint me in the least, because all creative people with their personal “greetings”, that is, to the fact that he was such a bum, a jester, a libertine and a young idiot, these things didn’t bother me a bit, I always looked at him like the legend of classical music. Of course, this is a masterpiece of world cinema, I cannot name it somehow differently. Miloš Forman fully enlightened us with the life of the great Mozart, and I will say that Mozart’s life was full of everything; and joy was present here, and there was also a place for grief, without a drop of madness, too, it was not enough, sometimes the love of both music and family dominated. In general, Mozart will remain in my memory as the earthly God of music, because all the brilliant creations that he gave to the world, they all lived in his head since birth.

10 out of 10

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